You know – Carolyn represents the Creature. I’ve made it clear that her laborious process fascinates me. I was in her studio several times the last few months. I took early shots of a Javelina progressing.
Glossy print stage of Collared Peccary or Javelina.
He gets photoshopped into the woods.
The tracing below, I caught on Dec 11th. The end photo I got in the gallery, last week.
The enlarged photo-shopped composition gets transferred to drawing boards.
The Collard Peccary sits detailed into his spot on the composition.
I also catch the Musk-Ox on Dec 11. At the time, I focus on the dense, black-inked area of tree branches in the center. The Ox silver tracing sits to the side waiting to come alive. In the final stage the ox becomes primary in focus.
And below is the work on the wall in the gallery. It’s large, consequently this photo doesn’t do it justice. It holds 20 creature representations (if you count a couple of skulls). I’ve heard Carolyn call them out several times now. There are sheep, goat, hawk, 2 javalinas, zebra, white deer, deer mount, mule deer, antelope, owl, squirrel, coatimundi, road runner, quail, musk-ox, crazy goat with beads, 2 skulls (sheep?), and pronghorn. If the blog allowed I’d tag them so you could know right where they are. It’s part of the enjoyment of standing in front of the real work. Some show up obviously, while others come into sight by surprise. If you get a chance to hear Carolyn talk about her work, take it. She weaves everything together with intelligence and amusement.
Acrylic on 10 prepared acid-free foam-core panels
80 x 160 inches
You know, I’m interested in anatomy. While my focus is mostly on human, I love animal anatomy as well because from that point of view, we connect.
Recently Carolyn generously loaned me some of her animal anatomy books. The one cat book in the background is mine. I pull the books out across my desk, go through them, think about drawing, then put them away. While I appreciate the loan, what do I do with the inspiration?
Yesterday the three of us discussed how we might be influencing each other. The few animals in my work are abstract and symbolic. My cat appears in one work, a snake and a frog in another. My inclusion of an animal and its anatomical structure is very different from Carolyn’s focus. Carolyn renders taxidermy, in a realistic manner, in a constructed natural setting. Reread that last sentence.
I don’t know about focusing on animal anatomy more than I do at this point. While the books excite me, for now animal is Creature, and Creature is Carolyn.