Every time I ask Carolyn about her process she goes through the various steps, from my point of view, rather fast. I can never put it all together. Recently she asked if I could help her transfer an image to an archival sheet of foam board. The image above is called Preservation Woods. It’s what she is transferring.
Carolyn completes a composition in Photoshop. She does the math and grids the work to enlarge it. In this case, the finished work is quite large – 13.3′ x 6.6′. Her left brain processes as well as her right brain.
She photo copies the parts – 16 – 10 x 8″ sheets per panel, and creates a template, the template is traced on the panels.There are 10 – 32 x 40″ panels. Each one is prepped with 5 layers of matte medium on either side. Once tracing the composition is complete, painting begins. The mediums she plans to use include gouache, graphite and ink.
I arrive to her studio, thinking I can shoot footage and pull together a video for our blog. Everything you see in the video is shot within the first 20 minutes of our morning. We continue for another 7 plus hours to complete a panel. She maps out the copies while I trace them on to panels.
The title of the work is Preservation Woods. It will be 80 x 160″ – which is 13.3′ x 6.6′ – when completed. There are 10 – 32 x 40″ panels and it takes 16 – 10 x 8″ sheets per panel.
I don’t know if you can see the outline transfer of the animal above, it’s light, silvery, and delicate. The dark edges might be the result of my lack of experience with graphite powder. The ram you see is the upper left quadrant is only 16 x 20″, a very small part of the overall composition.
Just watch the video, it goes quick (about 4 minutes) and is enjoyable.
The day passes quickly and several things get completed.