Monica is working on a large anatomical drawing of her mother Elisa. I am impressed by her use of a warm orange background broken up with several areas of purple wash. The color palette is so inviting and she tells me that orange is the color of creativity and in Yogic studies it is associated with the pelvic area. These background colors appear full of emotion and the paper has also been coated with gesso and a very thin layer Golden Moulding Paste to give it a slight texture. I talk to Monica about how it is possible for her to work in direct contact with the surface of the figure. She explains that casein is a protein and as it is touched (she rubs it with a cotton cloth) it acquires a polished look.
In the drawing Elisa’s hands are clasped in front of her body and I understand that she is quite handy. She builds and repairs things in her home and has raised six children while working as a hearing and speech professional in the schools. Monica includes a drawing of the inner ear in the space next to her mother’s head. It floats as a symbol for her work.
The compact organs in the chest and abdomen are depicted in strong vital colors and will remain visible as the work progresses. Monica has decided to omit the skeletal structure in order to make the organs an intricate, energetic focal point. There is a space where the gall bladder once was and because it has a very plant-like look and was removed in real life, it now exists on the ground plane.
Monica places the drawing on her upright drawing table so I can photograph her standing next to it –I am thinking about illustrating scale. Elisa looks directly forward and Monica stands beside the figure. I convince the artist to pose as the figure poses, hands clasped in front. It is the opposite of the way Monica usually stands with her hands together behind her back. Both women look forward, strong, direct, engaged and engaging.